You worked on Liberty, which I personally think is one of the most underestimated albums they've made. It was an attempt to something different - why do you think that happened; was it intended?

Well, I'd like to think that because they had met me and realized that we could program all the songs using MIDI and Sampling before recording the album that they could express themselves more than they had previously been able to do.
We really had a blast making that record... until the final mixes that is. No criticism of Chris Potter who was fantastic but the Genelec Speakers at Olympic really had us going until we went into the Mastering room and heard what it really sounded like. They had so much punch in the studio but out of it it was really soft and un-dynamic. It did not do justice to the many great songs on that album...or the mixes!
The falling out with Sterling wasn't very fun either.
On the bright side we did Burning The Ground during the Liberty sessions which is still my favorite of anything!

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In 1993 you joined the band on stage in New York for the MTV Unplugged telecast. Can you please tell us more about this experience. It was easy to play that way?

That was a great couple of weeks. I had left London and moved to Los Angeles when Nick & Warren called about the MTV gig. I was thrilled to be asked to play. I didn't expect it. We rehearsed in LA and flew off to New York for the show. My memory is a little messy but I think Nick wanted the set that Nirvana ended up using after they told us we couldn't use it. Some of my new friends from LA came to NY for the show. My special guest was Julian Lennon. He was smiling at us the whole show long. Nick and I had a laugh with the Piano's and Organ's. Not quite acoustic those old B3's! I thought the band were pretty good but the atmosphere was a little strained owing to the minimal rehearsal.

Thank you - why do covers? what covers did they played that did not end up on the album.

Warren wanted to do a covers album to complete the Bands EMI deal.
EMI weren't even going to release "The Wedding Album" at that point. We had finished and mastered it in April 1992. By August we had started the covers to keep Warren and myself working.
It was just after a couple of songs that he and I started Come Undone. We called Capitol in LA and played them the riff and the drum loop on the phone. Three Days later Dave Richards was mixing it and the Wedding Album got a release date. That and the Florida radio station playing Ordinary World forced EMI to release the album... almost 8 months after it was 1st mastered.
So maybe no Covers album no Wedding Album or at least no Come Undone.

I can't recall all the not finished songs at the moment. I'll look into it. Once we had finished Come Undone I went off to work in Iceland and then Los Angeles... The band continued recording without me while they toured for the Wedding Album for almost a year before asking me to help put Thank You all together and finish it off, which we did in the South of France in the summer of 1994. Almost every track was recorded differently so my work was cut out. I went back to LA and did Lay Lady Lay and Take You Higher Again which Simon came over for... Mixing was another story as tracks went here there and everywhere before the band finally agreed to the final result. I wasn't very happy with it and I guess John wasn't either. That was about all for me with the band.

Your thoughts, please, on the recent classification of Thank You by the moguls at Q Magazine.

I hope people will finally listen to it and see that it's actually a pretty cool record with a couple of really great tracks on it. I think Perfect Day and Watching The Detective were brilliant! I think Lay Lady Lay could have been great if I hadn't had to do it by myself!